Author Archive

Cast members of the play That Championship Season, from left, Jim Gaffigan, Chris Noth, Brian Cox, Kiefer Sutherland and Jason Patric pose for a portrait Thursday, Jan. 13, 2011 in New York. A revival the Pulitzer Prize winning play by Jason Miller is set to open on March 6, 2011.
On Saturday’s Weekend Edition, Scott Simon speaks with actors Brian Cox, Kiefer Sutherland and Jason Patric about their roles in the new Broadway production of That Championship Season.
Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.
Before Kiefer Sutherland makes his way back to the small screen, the 24 alum will be seen in a new web series, The Confession — a project that very well may end up as one of his career favorites.
“This is the first thing in my entire career that I’ve been involved in from the inception of the idea to the delivery of the product,” Sutherland says in a behind-the-scenes look at the series. “My interest stemmed from the challenge of trying to tell a five-minute story over a long period of time, and clearly the Internet is the largest network on the planet. … The potential for this landscape is massive.”
The Confession, composed of 10 five-to-seven-minute webisodes, follows a hit man (Sutherland) who discusses why his victims deserved to die with a priest (John Hurt). “[Each episode] will deal with kind of a more of an intellectual, theological discussion about God and then cut back to a murder or a crime he had committed,” Sutherland explains.
The series was shot over nine days in New York in January and also stars Michael Badalucco and Max Casella. It will premiere on Hulu this month.
See what else Sutherland, the cast and crew have to say about The Confession:
What’s this new show Kiefer Sutherland’s doing called Touch you ask?
Well, I could save myself some typing blisters and just say it’s a very intriguing mix of Lost and Kyle XY (and no, it’s not at all like 24) – or a series based ‘entirely’ around the kind of numbers that ruled Hurley’s life in Lost – that offers Sutherland the chance to play a type he doesn’t too often, the everyman.
But here’s a little more :
Sutherland plays a former journalist cum baggage handler Martin Bohm, a single father (He and his wife were due to see a divorce lawyer on Sep 12, 2001 – - fill in the rest) whose young son Jacob has always been – what some may describe as – special.
Jake is a numbers man…. and a climber.
‘Jake’ is climbing cell towers (the security cameras capture him at 3:18; same time he’s been setting the clock’s at the house on), doing strange things with cell phones, writing down winning lottery numbers before they’re drawn, and yet, has no voice. And no, this isn’t no Rainman situation either – the kid is a magic man. And dad knows it.
With human services threatening to take away his boy (they believe he’s autistic and needs to be institutionalized before he can harm anyone), Martin needs someone to listen to him… help him.
Thankfully, Martin’s got one supporter at human services – 27-year-old Clea Hopkins; she lends a sympathetic ear to Martin and will be the one to ultimately champion his cause to retain custody. But she, of course, is skeptical of Martin’s claims that his boy is picking lottery numbers and the like.
With the lad growing stranger by the day, a distraught and desperate Martin seeks a man he once saw on the Charley Rose show, Boris Podoltsky (A great part for a Judd Hirsch type), a disheveled but brilliant grump who can potentially help the former’s son. (‘The Podoltsky Institute’, much to Martin’s surprise, is an old row house).
Podoltsky explains to Martin that his boy is a “conduit for energy”. Human life, he goes on, is simply “electromagnetic energy and connections.” And you see, even though Martin’s son doesn’t communicate as we do, via speaking, he’s still a “radar” for these connections.
Click on the Source link to read the rest of the article!
Stepping out for a promotional appearance, Kiefer Sutherland was spotted at the “Good Morning America” studios today (February 22).
It’s official: Just one year after 24 ended, Kiefer Sutherland is plotting his return to TV.
Sutherland has signed on to star in the Fox drama pilot Touch, in which he will play a man who discovers that his autistic son can predict the future. Word of Sutherland’s interest in the pilot, written by Heroes creator Tim Kring, first emerged last week. But there was a big snag: Sutherland’s Broadway commitment — the actor currently stars on stage in the play That Championship Season — threatened to derail any immediate TV possibility.
But the 24 star knows a thing or two about time management. Insiders say that Fox and producer 20th Century Fox TV have agreed to figure out how to accommodate Sutherland’s Broadway schedule should Touch be picked up to series.
No one expected Sutherland to return to TV so quickly, having spent eight seasons as Jack Bauer on 24, a role he may still eventually reprise on the big screen. At least one Fox insider called Touch one of the best scripts he’s read all year — a sentiment expressed by others outside of Fox, as well. Sutherland was likely drawn to that, and the fact that former News Corp. boss Peter Chernin is an executive producer on the show.
Sutherland represents one of several high-profile TV veterans looking to make a return to the small screen this pilot season, a list that also includes Sarah Michelle Gellar and Tim Allen.











































































